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Jodie Foster

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Alicia Christian "Jodie" Foster (born November 19, 1962) is an American actress and filmmaker. She is the recipient of numerous accolades, including two Academy Awards, three BAFTA Awards, and three Golden Globe Awards. She has also earned many other honors, such as the Cecil B. DeMille Award in 2013 and the Honorary Palme d'Or in 2021.

Foster began her professional career as a child model and later as a teen idol in various Disney films including Napoleon and Samantha (1972), Freaky Friday (1976) and Candleshoe (1977). She acted in Martin Scorsese's comedy-drama Alice Doesn't Live Here Anymore (1974) and thriller Taxi Driver (1976). For playing a teen prostitute in the latter, she was nominated for the Academy Award for Best Supporting Actress. Other early films include Tom Sawyer (1973), Bugsy Malone (1976), The Little Girl Who Lives Down the Lane (1976), Carny (1980) and Foxes (1980).

After attending Yale University, Foster transitioned into mature leading roles earning two Academy Awards for Best Actress for playing a rape victim in The Accused (1988) and Clarice Starling in The Silence of the Lambs (1991). She also received a nomination for Nell (1994). Her other notable films include Sommersby (1993), Maverick (1994), Contact (1997), Anna and the King (1999), Panic Room (2002), Flightplan (2005), Inside Man (2006), The Brave One (2007), Nim's Island (2008), Carnage (2011), Elysium (2013), The Mauritanian (2021), and Nyad (2023). The last of these earned Foster her fifth Academy Award nomination. In 2024, she starred in the HBO anthology series True Detective: Night Country.

Foster made her directorial film debut with Little Man Tate (1991) and has since directed films such as Home for the Holidays (1995), The Beaver (2011) and Money Monster (2016).[1] She founded her own production company, Egg Pictures, in 1992. She earned two Primetime Emmy nominations for producing The Baby Dance (1999), and directing the Orange Is the New Black episode "Lesbian Request Denied" in 2014. She has also directed episodes for Tales from the Darkside in 1988, House of Cards in 2014, the Black Mirror episode "Arkangel" in 2017, and Tales from the Loop in 2020.

Early life[]

Alicia Christian Foster[2][3] was born on November 19, 1962, in Los Angeles, the youngest child of Evelyn Ella "Brandy" (née Almond; 1928–2019)[4] and Lucius Fisher Foster III, a wealthy businessman.[5] She is of German descent,[6] with some Irish heritage.[7] On her father's side, she is descended from John Alden, who arrived in North America on the Mayflower in 1620.[5][8]

Her parents' marriage ended before she was born, and she never established a relationship with her father.[5][9][10] She has three older full siblings: Lucinda, Constance, and Lucius, nicknamed "Buddy", as well as three half-brothers from her father's earlier marriage.[8] Following the divorce, Brandy raised the children with her female partner in Los Angeles.[5][11] She worked as a publicist for film producer Arthur P. Jacobs until focusing on managing the acting careers of Buddy and Jodie.[5][8][9] Although Foster was officially named Alicia, her siblings began calling her "Jodie", and the name stuck.[3] Foster was a gifted child who learned to read at the age of three.[5][9]

She attended the Lycée Français de Los Angeles, a French-language prep school.[9] Her fluency in French has enabled her to act in French films and she also dubs herself in French-language versions of most of her English-language films.[5][12] At her graduation in 1980, she delivered the valedictorian address for the school's French division.[9]

She went on to study at Yale University,[10][13] where she majored in African-American literature, wrote her thesis on Toni Morrison under the guidance of Henry Louis Gates Jr., and graduated magna cum laude in 1985.[5][14][15][16] She returned to Yale in 1993 to address the graduating class and received an honorary Doctor of Fine Arts degree in 1997.[17][18] In 2018, she was awarded the Yale Undergraduate Lifetime Achievement Award.[19]

Career[]

Career beginnings[]

File:Paper Moon TV series Foster Connelly 1974.jpg

Foster with Christopher Connelly in a publicity photo for Paper Moon (1974), one of her first starring roles

Foster's career began with an appearance in a Coppertone television advertisement in 1965, when she was three years old.[9][20](pScript error: The function "hyphen2dash" does not exist., [ 73])[21] Her mother had intended only for Jodie's older brother Buddy to audition, but had taken Jodie with them to the casting call, where she was noticed by the casting agents.[8][9][20](pScript error: The function "hyphen2dash" does not exist., [ 73]) The television spot led to more advertising work and in 1968 to a minor appearance in the sitcom Mayberry R.F.D., in which her brother starred.[9][20](pScript error: The function "hyphen2dash" does not exist., [ 74]) In the following years, Foster continued working in advertising and appeared in over 50 television shows, including Gunsmoke, The Doris Day Show, My Three Sons, Bonanza, and Kung Fu; she and her brother became the breadwinners of the family during this time.[8][20](pScript error: The function "hyphen2dash" does not exist., [ 73]) She had recurring roles in The Courtship of Eddie's Father (1969–1971) and Bob & Carol & Ted & Alice (1973), voiced Pugsley Addams in The Addams Family animated series (1973–1975), and starred opposite Christopher Connelly in the short-lived Paper Moon (1974), adapted from the hit film.[20](pScript error: The function "hyphen2dash" does not exist., [ 73])

Foster also appeared in films, mostly for Disney.[20](pScript error: The function "hyphen2dash" does not exist., [ 73]) After a role in the television film Menace on the Mountain (1970), she made her feature film debut in Napoleon and Samantha (1972), playing a girl who befriends a boy, played by Johnny Whitaker, and his pet lion. She was accidentally grabbed by the lion on set, which left her with scars on her back.[22] Her other early film work includes the Raquel Welch vehicle Kansas City Bomber (1972), the Western One Little Indian (1973), the Mark Twain adaptation Tom Sawyer (1973), and Martin Scorsese's Alice Doesn't Live Here Anymore (1974), in which she appeared in a supporting role as a "Ripple-drinking street kid".[9][20](pScript error: The function "hyphen2dash" does not exist., [ 73])

Foster said she loved acting as a child and values her early work for the experience it gave her: "Some people get quick breaks and declare, 'I'll never do commercials! That's so lowbrow!' I want to tell them, 'Well, I'm real glad you've got a pretty face, because I worked for 20 years doing that stuff and I feel it's really invaluable; it really taught me a lot.'"[23]

1970s: Taxi Driver and teenage stardom[]

Foster's mother was concerned that her daughter's career would end by the time she grew out of playing children and decided that Foster should also begin acting in films for adult audiences.[24] After the minor supporting role in Alice, Scorsese cast her in the role of a child prostitute in Taxi Driver (1976).[25] To be able to do the film, Foster had to undergo psychiatric assessment and was accompanied by a social worker on set.[26][27][28] Her older sister Connie acted as her stand-in in sexually suggestive scenes.[27][29] Foster later commented on the role, saying that she hated "the idea that everybody thinks if a kid's going to be an actress it means that she has to play Shirley Temple or someone's little sister."[30] During the filming, Foster developed a bond with co-star Robert De Niro, who saw "serious potential" in her and dedicated time rehearsing scenes with her.[31]

Foster called Taxi Driver a life-changing experience and said it was "the first time anyone asked me to create a character that wasn't myself. It was the first time I realized that acting wasn't this hobby you just sort of did, but that there was actually some craft."[9] Taxi Driver won the Palme d'Or at the Cannes Film Festival; Foster also impressed journalists when she acted as a French interpreter at the press conference.[26][32] Taxi Driver was a critical and commercial success, and earned her a supporting actress Academy Award nomination, as well as two BAFTAs, a David di Donatello and a National Society of Film Critics award.[9][26] The film is considered one of the best in history by the American Film Institute[26] and Sight & Sound,[33] and has been preserved in the National Film Registry.[34]

Foster also acted in another film nominated for the Palme d'Or in 1976, Bugsy Malone.[35] The British musical parodied films about Prohibition Era gangsters by having all roles played by children; Foster appeared in a major supporting role as a star of a speakeasy show.[36] Director Alan Parker was impressed by her, saying that "she takes such an intelligent interest in the way the film is being made that if I had been run over by a bus I think she was probably the only person on the set able to take over as director."[37] She gained several positive notices for her performance: Roger Ebert of the Chicago Sun-Times wrote, "at thirteen she was already getting the roles that grown-up actresses complained weren't being written for women anymore",[38] Variety called her "outstanding",[39] and Vincent Canby of The New York Times called her "the star of the show".[40] Foster's two BAFTAs were awarded jointly for her performances in Taxi Driver and Bugsy Malone.[41] Her third film release in 1976 was the independent drama Echoes of a Summer, which had been filmed two years earlier.[42] The New York Times named Foster's performance as a terminally ill girl the film's "main strength"[42] and Gene Siskel of the Chicago Tribune wrote that she "is not a good child actress; she's just a good actress", although both reviewers panned the film.[43]

Foster's fourth film of 1976 was the Canadian-French thriller The Little Girl Who Lives Down the Lane, in which she starred opposite Martin Sheen.[44][45] The film combined aspects of thriller and horror genres, and showed Foster as a mysterious young girl living on her own in a small town. The performance earned her a Saturn Award.[46] In November, Foster hosted Saturday Night Live, becoming the youngest person to do so until Drew Barrymore hosted at age 7 in 1982.[22] Her final film of the year was the Disney comedy Freaky Friday, "her first true star vehicle".[46][47][35] She played a tomboy teen who accidentally changes bodies with her mother, and she later said the film marked a "transitional period" when she began to grow out of child roles.[47] It received mainly positive reviews,[48] and was a box-office success,[49] gaining Foster a Golden Globe nomination for her performance.[50]

As Foster grew, her mother wanted photos to reflect Foster's ability to take on adult roles, so she arranged for Emilio Lari to do a partially nude photoshoot. The photoshoot was taken at a rented estate in Los Angeles, with Foster's mother and Lari's wife on set. Estimates of the year of the photoshoot range between 1975 and 1979, when Foster was between 13 and 16.[51][52][53] After her breakthrough year, Foster spent nine months living in France, where she starred in Moi, fleur bleue (1977) and recorded several songs for its soundtrack.[13][54] Her other films released in 1977 were the Italian comedy Casotto and the Disney heist film Candleshoe, which was filmed in England and co-starred David Niven and Helen Hayes.[46][47][55] After its release, Foster did not appear in any new releases until 1980, the year she turned 18. In 1980, she gained positive notices for her performances in the independent films Foxes and Carny (1980).[56][20](pScript error: The function "hyphen2dash" does not exist., [ 73–74])[57]

1980s: Transition to adult roles and The Accused[]

In 1981, Foster became a full-time student at Yale.[20](pScript error: The function "hyphen2dash" does not exist., [ 73–74])[58] She later said that going to college changed her thoughts about acting, which she had previously thought was an unintelligent profession. She now realized that "what I really wanted to do was to act and there was nothing stupid about it."[23][58] Although Foster prioritized college during these years, she continued making films on her summer vacations.[13] These were O'Hara's Wife (1982), the television film Svengali (1983), the John Irving adaptation The Hotel New Hampshire (1984), The Blood of Others (1984), and the period drama Mesmerized (1986), which she also co-produced.[59] None of them gained large audiences or critical appreciation, and after graduating from Yale in 1985, Foster struggled to find further acting work.[60][20](pScript error: The function "hyphen2dash" does not exist., [ 73–74])

File:Jodie Foster (1989).jpg

Foster at the Governor's Ball after winning an Academy Award for The Accused (1988). Her performance as a rape survivor marked her breakthrough into adult roles.

Foster's first film after college, the neo-noir Siesta (1987), was a failure.[61][62] Her next project, the independent film Five Corners (1987), was better received. A moderate critical success, it earned Foster an Independent Spirit Award for her performance as a woman whose sexual assaulter returns to stalk her.[63][20](pScript error: The function "hyphen2dash" does not exist., [ 73–74])[64] The following year, Foster made her debut as a director with the episode "Do Not Open This Box" for the horror anthology series Tales from the Darkside,[65] and starred in the romantic drama Stealing Home (1988) opposite Mark Harmon. The film was a critical and commercial failure,[66] with Roger Ebert "wondering if any movie could possibly be that bad".[67]

Foster's breakthrough into adult roles came with her performance as a rape survivor in The Accused (1988).[61][60][20](pScript error: The function "hyphen2dash" does not exist., [ 73–74]) Based on a real criminal case, the film focuses on the aftermath of a gang rape and its survivor's fight for justice in the face of victim blaming. Before making it, Foster was having doubts about whether to continue her career and planned to start graduate studies, but decided to give acting "one last try" in The Accused.[58] She had to audition twice for the role and was cast only after several more established actors turned it down, as the film's producers were wary of her due to her previous failures and because she was still remembered as a "chubby teenager".[58][20](pScript error: The function "hyphen2dash" does not exist., [ 74])[68][61] Due to the subject matter, the filming was a difficult experience for the cast and crew, especially the shooting of the rape scene, which took five days.[9] Foster was unhappy with her performance and feared that it would end her career.[69] Instead, The Accused received positive reviews, with Foster's performance receiving widespread acclaim[68] and earning her Academy, Golden Globe and National Board of Review awards, as well as a nomination for a BAFTA Award.

1990s: Box-office success, directorial debut and Egg Pictures[]

Foster's first film release after the success of The Accused was the thriller The Silence of the Lambs (1991). She portrayed FBI trainee Clarice Starling, who is sent to interview incarcerated serial killer Hannibal Lecter (Anthony Hopkins) in order to hunt another serial killer, Jame "Buffalo Bill" Gumb (Ted Levine). Foster later named the role one of her favorites.[69] She had read the novel it was based on after its publication in 1988 and had attempted to purchase its film rights,[70] as it featured "a real female heroine" and its plot was not "about steroids and brawn, [but] about using your mind and using your insufficiencies to combat the villain."[9] Despite her enthusiasm, director Jonathan Demme did not initially want to cast her, but the producers overruled him.[71] Demme's view of Foster changed during the production, and he later credited her for helping him define the character.[71][72]

Released in February 1991, The Silence of the Lambs became one of the biggest hits of the year, grossing close to $273 million,[73][74] with a positive critical reception. Foster received largely positive reviews[69] and won Academy, Golden Globe, and BAFTA awards for her portrayal of Starling; Silence won five Academy Awards overall,[75] becoming one of the few films to win in all main categories. In contrast, some reviewers criticized the film as misogynist for its focus on brutal murders of women, and homo-/transphobic due to its portrayal of "Buffalo Bill" as bisexual and transgender. Much of the criticism was directed at Foster, who the critics claimed was herself a lesbian.[76] Despite the controversy, the film is considered a modern classic: Starling and Lecter are included on the American Film Institute's top ten of the greatest film heroes and villains, and the film is preserved in the National Film Registry.[34] Later in 1991, Foster also starred in the unsuccessful low-budget thriller Catchfire, which had been filmed before Silence, but was released after it in an attempt to profit from its success.[77]

In October 1991, Foster released her first feature film as a director, Little Man Tate, a drama about a child prodigy who struggles to come to terms with being different.[78] The main role was played by previously unknown actor Adam Hann-Byrd, and Foster co-starred as his working-class single mother. She had found the script in the "slush pile" at Orion Pictures,[79] and explained that for her debut film she "wanted a piece that was not autobiographical, but that had to do with the 10 philosophies I've accumulated in the past 25 years. Every single one of them, if they weren't in the script from the beginning, they're there now."[9] Some reviewers felt that the film did not live up to the high expectations, and regarded it as "less adventurous than many films in which [she] had starred",[80][55] but others praised it, like Roger Ebert, who called it "the kind of film you enjoy watching".[81] Regardless, it was a moderate box office success.[82] Foster's final film appearance of the year came in a small role as a sex worker in Shadows and Fog (1991), directed by Woody Allen, with whom she had wanted to collaborate since the 1970s.[13]

File:Jodie Foster 1995.jpg

Foster working on Home for the Holidays, 1995

Foster next starred in the period film Sommersby (1993), portraying a woman who begins to suspect that her husband (Richard Gere) who returns home from the Civil War is an impostor. She then replaced Meg Ryan in the Western comedy Maverick (1994), playing a con artist opposite Mel Gibson and James Garner.[83] According to film scholar Karen Hollinger, both films featured her in more "conventionally feminine" roles.[84] Both Sommersby and Maverick were commercially successful.[85][86]

Foster had founded her own production company, Egg Pictures, a subsidiary of PolyGram Filmed Entertainment in 1992, and released its first production, Nell, in December 1994.[87][20](pScript error: The function "hyphen2dash" does not exist., [ 74])[lower-alpha 1] It was directed by Michael Apted and starred Foster in the titular role as a woman who grew up isolated in the Appalachian Mountains and speaks her own invented language.[88] The film was based on Mark Handley's play Idioglossia, which interested Foster for its theme of "otherness", and because she "loved this idea of a woman who defies categorization, a creature who is labeled and categorized by people based on their own problems and their own prejudices and what they bring to the table."[88][89] Despite mixed reviews, it was a commercial success,[90][91] and earned Foster a Screen Actors Guild Award and nominations for an Academy Award and a Golden Globe for her acting performance.

The second film that Foster directed and produced for Egg Pictures was Home for the Holidays, released in late 1995. A black comedy "set around a nightmarish Thanksgiving", it starred Holly Hunter and Robert Downey Jr.[3][92] The film received a mixed critical response and was a commercial failure.[93][20](pScript error: The function "hyphen2dash" does not exist., [ 74]) In 1996, Foster received two honorary awards: the Crystal Award, awarded annually for women in the entertainment industry,[94] and the Berlinale Camera at the 46th Berlin International Film Festival.[95] She voiced a character in an episode of Frasier in 1996 and in an episode of The X-Files in early 1997.

After Nell (1994), Foster appeared in no new film releases until Contact (1997), a science fiction film based on a novel by Carl Sagan and directed by Robert Zemeckis. She starred as a scientist searching for extraterrestrial life in the SETI project.[96] The film was a commercial success[97] and earned Foster a Saturn Award and a nomination for a Golden Globe.[lower-alpha 2] Foster next produced Jane Anderson's television film The Baby Dance (1998) for Showtime.[101][102] Its story deals with a wealthy California couple who struggle with infertility and decide to adopt from a poor family in Louisiana.[101] On her decision to produce for television, Foster stated that it was easier to take financial risks in that medium than in feature films.[101] In 1998, she also moved her production company from PolyGram to Paramount Pictures.[87] Also in 1998, asteroid 17744 Jodiefoster was named in her honor.[103]

Foster's last film of the 1990s was the period drama Anna and the King (1999), in which she starred opposite Chow Yun-Fat. It was based on a fictionalized biography of British teacher Anna Leonowens, who taught the children of King Mongkut of Siam, and whose story became well known as the musical The King and I. Foster was paid $15 million to portray Leonowens, making her one of the highest-paid female actors in Hollywood.[20](pScript error: The function "hyphen2dash" does not exist., [ 74]) The film was subject to controversy when the Thai government deemed it historically inaccurate and insulting to the royal family and banned its distribution in the country.[104] It was a moderate commercial success,[105] but received mixed to negative reviews.[106][107] Ebert panned the film, saying the role required Foster "to play beneath [her] intelligence"[108] and The New York Times called it a "misstep" for her and accused her of only being "interested ... in sanctifying herself as an old-fashioned heroine than in taking on dramatically risky roles".[109]

2000s: Career setbacks and resurgence in thrillers[]

Foster's first project of the new decade was Keith Gordon's film Waking the Dead (2000), which she produced.[110] She declined to reprise her role as Clarice Starling in Hannibal (2001), with the part going instead to Julianne Moore, and concentrated on a new directorial project, Flora Plum.[111] It was to focus on a 1930s circus and star Claire Danes and Russell Crowe, but had to be shelved after Crowe was injured on set and could not complete filming on schedule; Foster unsuccessfully attempted to revive the project several times in the following years.[3][112][113] Controversially, she also expressed interest in directing and starring in a biographical film of Nazi film director Leni Riefenstahl, who did not like the idea.[114][115] In addition to these setbacks, Foster shut down Egg Pictures in 2001, saying that producing was "just a really thankless, bad job".[3][87] The company's last production, The Dangerous Lives of Altar Boys, premiered at the Sundance Film Festival in January 2002. It received good reviews,[93] and had a limited theatrical release in the summer.[116]

File:The Brave One (2007) Movie Banner.jpg

Foster in an advertisement for The Brave One (2007)

After the cancellation of Flora Plum, Foster took on the main role in David Fincher's thriller Panic Room after its intended star, Nicole Kidman, had to drop out due to an injury on set.[117] Before filming resumed, Foster was given only a week to prepare for the role of a woman who hides in a panic room with her daughter when burglars invade their home.[118] It grossed over $30 million on its North American opening weekend in March 2002, becoming the most successful film opening of Foster's career as of 2015.[119][120] In addition to being a box office success, the film also received largely positive reviews.[121][122]

After a minor appearance in the French period drama A Very Long Engagement (2004), Foster starred in three more thrillers. The first was Flightplan (2005), in which she played a woman whose daughter vanishes during an overnight flight. It became a global box office success,[123] but received mixed reviews.[124][125] It was followed by Spike Lee's critically and commercially successful Inside Man (2006), about a bank heist on Wall Street, which co-starred Denzel Washington and Clive Owen.[126][127][128] The third thriller, The Brave One (2007), prompted some comparisons to Taxi Driver, as Foster played a New Yorker who becomes a vigilante after her fiancé is murdered.[129] It was not a success,[130][131][132] but earned Foster her sixth Golden Globe nomination. Her last film role of the decade was in the children's adventure film Nim's Island (2008), in which she portrayed an agoraphobic writer opposite Gerard Butler and Abigail Breslin. It was the first comedy in which she had starred since Maverick (1994), and was a commercial success but a critical failure.[133][134] In 2009, she provided the voice for Maggie in a tetralogy episode of The Simpsons titled "Four Great Women and a Manicure".[135]

2010s: Focus on directing[]

File:Mel Gibson Jodie Foster Cannes 2011.jpg

Foster with co-star Mel Gibson at the premiere of The Beaver at the 2011 Cannes Film Festival

In the 2010s, Foster focused on directing and took fewer acting roles.[136] In February 2011, she hosted the 36th César Awards in France, and the next month released her third feature film direction, The Beaver (2011), about a depressed man who develops an alternative personality based on a beaver hand puppet.[137] It starred Maverick co-star Mel Gibson and featured herself, Anton Yelchin and Jennifer Lawrence in supporting roles as his family.[138] Foster called its production "probably the biggest struggle of my professional career", partly due to the film's heavy subject matter but also due to the controversy that Gibson generated when he was accused of domestic violence and making antisemitic, racist, and sexist statements.[136][139] The film received mixed reviews,[140][141] and failed the box office, largely due to this controversy.[142][143][144] In 2011, Foster also appeared as part of an ensemble cast with John C. Reilly, Kate Winslet and Christoph Waltz in Roman Polanski's comedy Carnage, in which the attempts of middle-class parents to settle an incident between their sons descends into chaos. It premiered to mainly positive reviews and earned Foster a Golden Globe nomination as Best Actress.[145]

In 2013, Foster received the honorary Cecil B. DeMille Award at the 70th Golden Globe Awards.[146] Her next film role was Secretary of Defense Delacourt opposite Matt Damon in the dystopian film Elysium (2013), which was a box office success.[147] She also returned to television directing for the first time since the 1980s, directing the episodes "Lesbian Request Denied" (2013) and "Thirsty Bird" (2014) for Orange Is the New Black, and the episode "Chapter 22" (2014) for House of Cards.[148] "Lesbian Request Denied" brought her a Primetime Emmy Award nomination, and the two 2014 episodes earned her two nominations for a Directors Guild of America Award.[149][150] She also narrated the episode "Women in Space" (2014) for Makers: Women Who Make America, a PBS documentary series about women's struggle for equal rights in the United States. In 2015, Foster received the Laura Ziskin Lifetime Achievement Award at the Athena Film Festival.[151]

The fourth film Foster directed, the hostage drama Money Monster, premiered out-of-competition at the Cannes Film Festival in May 2016. It starred George Clooney and Julia Roberts, and despite mixed reviews,[152][153] was a moderate commercial success.[154] The next year, Foster continued her work in television by directing an episode, "Arkangel", for the British sci-fi anthology series Black Mirror (2011–).

As the decade drew to a close, Foster continued to mix acting with directing. She starred together with Sterling Brown in the dystopian film Hotel Artemis (2018). Although the film was a commercial and critical disappointment, Foster's performance as Nurse Jean Thomas, who runs a hospital for criminals, received positive notices.[155][156][157][158] Mick LaSalle of the San Francisco Chronicle wrote, "not enough can be said about the performance of Foster in this film. She brings to the role a quality of having seen the absolute worst in people, but also the suggestion that, as a result, she accepts them on their own terms and knows how to handle any situation."[159] Rick Bentley from Tampa Bay Times declared Foster's performance one of her "best and most memorable."[160] The same year, Foster co-produced and narrated Be Natural: The Untold Story of Alice Guy-Blaché (2018), a documentary on one of the first female film directors.

2020s: Return to acting[]

Foster directed the finale of the 2020 science fiction drama Tales from the Loop. Her next project was the legal drama The Mauritanian (2021), in which she starred as the lawyer of a prisoner (Tahar Rahim) at the Guantanamo Bay detention camp. Foster won a Best Supporting Actress Golden Globe for her performance.[161] At the 2021 Cannes Film Festival, Foster received the Honorary Palme d'Or for lifetime achievement.[162]

In 2023, Foster appeared in the Netflix biopic Nyad as Bonnie Stoll.[163] Her performance earned her a nomination for the Academy Award for Best Supporting Actress.[164] She next starred in the fourth season of True Detective, subtitled Night Country.[165]

Personal life[]

File:Jodie Foster with the LG Electronics Kompressor Vacuum on 25th Spirit Awards Blue Carpet held at Nokia Theatre L.A. Live on March 5, 2010 in LA (cropped).jpg

Foster in 2010

Foster met producer Cydney Bernard, who was then a production coordinator, on the set of Sommersby (1993).[166] They were in a relationship from 1993 until 2008 and had two sons together, born in 1998 and 2001. Foster is their biological mother; the biological father's identity has not been made public.[3][167][168][169][170] In 2014, Foster married actress and photographer Alexandra Hedison after a year of dating.[171][167]

Foster's sexual orientation became the subject of public discussion in 1991 when publications such as OutWeek and The Village Voice, protesting against the alleged homophobia and transphobia in The Silence of the Lambs, claimed that she was a lesbian.[172] She publicly acknowledged her 14-year relationship with Bernard in 2007 in a speech at The Hollywood Reporter's "Women in Entertainment" breakfast honoring her.[11] In 2013, she addressed her decision to come out in a speech after receiving the Cecil B. DeMille Award at the 70th Golden Globe Awards, which led many news outlets to describe her as gay.[173][174][175][176][171] Some sources noted that she did not use the words "gay" or "lesbian" in her speech.[177]

Legal issues[]

On December 19, 1983, Foster was detained by U.S. customs agents at Logan International Airport for possessing a single gram of cocaine.[178][179] She was charged with a misdemeanor and placed on one year's probation.[180]

John Hinckley Jr. incident[]

Main article: Attempted assassination of Ronald Reagan

During her freshman year at Yale in 1980–81, Foster was stalked by John Hinckley Jr., who had developed an obsession with her after watching Taxi Driver multiple times.[20](pScript error: The function "hyphen2dash" does not exist., [ 74])[181] He moved to New Haven and tried to contact her by letter and telephone.[181][182] On March 30, 1981, Hinckley attempted to assassinate United States president Ronald Reagan, wounding him and three other people, claiming that his motive was to impress Foster.[181] The incident drew intense media attention, and Foster was accompanied by bodyguards while on campus.[6][20](pScript error: The function "hyphen2dash" does not exist., [ 74]) Judge Barrington D. Parker confirmed that Foster was innocent in the case and had been "unwittingly ensnared in a third party's alleged attempt to assassinate an American President". Her videotaped testimony was played at Hinckley's trial.[11][182] While at Yale, Foster also had other stalkers, including a man who planned to kill her but changed his mind after seeing her perform in a college play.[6][20](pScript error: The function "hyphen2dash" does not exist., [ 74])

Foster has seldom publicly commented on Hinckley.[9] She wrote an essay, "Why Me?", published in 1982 by Esquire on the condition that "there be no cover lines, no publicity and no photos".[6] In 1991, she canceled an interview on NBC's The Today Show when she discovered that Hinckley would be mentioned in the introduction and the producers would not change it.[183] She discussed Hinckley in a 1999 interview with Charlie Rose on 60 Minutes II, explaining that she does not "like to dwell on it too much ... I never wanted to be the actress who was remembered for that event. Because it didn't have anything to do with me. I was kind of a hapless bystander. But ... what a scarring, strange moment in history for me, to be 17 years old, 18 years old, and to be caught up in a drama like that."[10] She said the incident had a major impact on her career choices, but also acknowledged that her experience was minimal compared to the suffering of Reagan's press secretary James Brady, who was permanently disabled in the shooting and died from his injuries 33 years later, and his loved ones: "Whatever bad moments that I had certainly could never compare to that family."[10]

Acting credits and accolades[]

Template:Main articles Foster has received two Academy Awards, three BAFTA Awards, the Cannes Film Festival's Honorary Palme d'Or, three Golden Globe Awards, a Screen Actors Guild Award and nominations for two Primetime Emmy Awards. She also earned the Golden Globe Cecil B. DeMille Award in 2013.

Foster has been recognized by the Academy of Motion Picture Arts and Sciences (AMPAS) for the following films:

  • 49th Academy Awards, Best Actress in a Supporting Role, nomination, Taxi Driver (1976)
  • 61st Academy Awards, Best Actress in a Leading Role, The Accused (1988)
  • 64th Academy Awards, Best Actress in a Leading Role, The Silence of the Lambs (1991)
  • 67th Academy Awards, Best Actress in a Leading Role, nomination, Nell (1994)
  • 96th Academy Awards, Best Actress in a Supporting Role, nomination, Nyad (2023)

People magazine named her the most beautiful woman in the world in 1992,[184] and in 2003, she was voted Number 23 in Channel 4's countdown of the 100 Greatest Movie Stars of All Time.[185] Entertainment Weekly named her 57th on their list of 100 Greatest Movie Stars of All Time in 1996.[186] In 2016, she was inducted into the Hollywood Walk of Fame with a motion pictures star located at 6927 Hollywood Boulevard.[187]

See also[]

  • List of oldest and youngest Academy Award winners and nominees – Youngest nominees for Best Actress in a Supporting Role
  • List of LGBTQ Academy Award winners and nominees – Best Actress in a Leading Role winners and nominees
  • List of actors with two or more Academy Award nominations in acting categories

Notes[]

Explanatory footnotes

  1. ↑ She was to produce up to six films, each with the budget of $10–25 million, in the following three years.[87]
  2. ↑ She was in talks to star in David Fincher's thriller The Game, but its production company, Polygram, dropped her from the project after disagreements over her role.[98] Foster sued the company, saying that she had an oral agreement with them to star in the film and had as a result taken "herself off the market" and lost out on other film projects.[99] The case was later settled out of court.[100]

Citations

  1. ↑ Page Module:Citation/CS1/styles.css has no content."Jodie Foster | American actress and director". Encyclopedia Britannica. Archived from the original on August 11, 2017. Retrieved August 11, 2017.
  2. ↑ Jodie Foster (6 May 2020).
  3. ↑ 3.0 3.1 3.2 3.3 3.4 3.5 Interview: Jodie Foster, actress in The Beaver. The Scotsman (June 15, 2011).
  4. ↑ Page Module:Citation/CS1/styles.css has no content."Evelyn Foster, Mother and Manager of Jodie Foster, Dies at 90". Variety. May 16, 2019. Archived from the original on December 15, 2019. Retrieved November 7, 2019.
  5. ↑ 5.0 5.1 5.2 5.3 5.4 5.5 5.6 5.7 Cullen 2013, pp. 182–183.
  6. ↑ 6.0 6.1 6.2 6.3 Page Module:Citation/CS1/styles.css has no content.Hirshey, Gerri (March 21, 1991). "Jodie Foster Makes It Work". Rolling Stone. Archived from the original on September 27, 2015. Retrieved September 26, 2015.
  7. ↑ Ronan, Saoirse (February 24, 2016). The Legend: Jodie Foster. Interview.
  8. ↑ 8.0 8.1 8.2 8.3 8.4 Shearer, Lloyd (October 9, 1976). The Mother Behind Child Star Jodie Foster. The Spokesman–Review.
  9. ↑ 9.00 9.01 9.02 9.03 9.04 9.05 9.06 9.07 9.08 9.09 9.10 9.11 9.12 9.13 9.14 Page Module:Citation/CS1/styles.css has no content.van Meter, Jonathan (January 6, 1991). "Child of the Movies". The New York Times. Archived from the original on February 4, 2015. Retrieved February 4, 2015.
  10. ↑ 10.0 10.1 10.2 10.3 "Jodie Foster, Reluctant Star." Template:Webarchive 60 Minutes II. 1999. Retrieved April 24, 2007.
  11. ↑ 11.0 11.1 11.2 Thorpe, Vanessa (December 16, 2007). The Observer profile: Jodie Foster. The Guardian.
  12. ↑ Rebichon, Michel (October 3, 2007),"Jodie Foster: Hollywood fait confiance à mes choix", L'Express. Template:Webarchive.
  13. ↑ 13.0 13.1 13.2 13.3 Ebert, Roger (April 13, 1980). Jodie Foster goes to college.
  14. ↑ Branch, Mark Alden (January 17, 2013). Foster '84: The Speech of a Lifetime. Yale Alumni Magazine.
  15. ↑ Freedman, Richard (April 1, 1984). Jodie Foster on school, acting and being 'fat'. The Spokesman-Review.
  16. ↑ Teare, Kendall (April 25, 2018). Jodie Foster '85 on 'impostor syndrome,' dumb luck and making meaning. Yale News.
  17. ↑ Page Module:Citation/CS1/styles.css has no content."COMMENCEMENTS; At Yale, Honors for an Acting Chief". The New York Times. May 25, 1993. Archived from the original on May 19, 2015. Retrieved May 14, 2015.
  18. ↑ Yale Bulletin and Calendar Commencement 1997 Template:Webarchive June 2–23, 1997 Volume 25, Number 33 News Stories
  19. ↑ Teare, Kendall (April 25, 2018). Jodie Foster '85 on 'impostor syndrome,' dumb luck and making meaning (en).
  20. ↑ 20.00 20.01 20.02 20.03 20.04 20.05 20.06 20.07 20.08 20.09 20.10 20.11 20.12 20.13 20.14 20.15 20.16 20.17 20.18 Page Module:Citation/CS1/styles.css has no content.Sonneborn, Liz (2002). A to Z of American Women in the Performing Arts. Facts on File. pp. 73–74. ISBN 0-8160-4398-1.
  21. ↑ Cullen 2013, pp. 183–184.
  22. ↑ 22.0 22.1 Warhol, Andy (January 1977). Jodie Foster.
  23. ↑ 23.0 23.1 Yakir, Dan (September 8, 1987). Jodie Foster Steps Back Into The Spotlight. The Sun-Sentinel.
  24. ↑ Hollinger 2006, p. 141.
  25. ↑ Cullen 2013, pp. 184–185.
  26. ↑ 26.0 26.1 26.2 26.3 Taxi Driver. American Film Institute.
  27. ↑ 27.0 27.1 Rausch 2010, pp. 30–31.
  28. ↑ Cullen 2013, p. 185.
  29. ↑ Page Module:Citation/CS1/styles.css has no content."Sisters on a Movie Set, New York, 1975". The New York Times. May 22, 2011. Archived from the original on October 15, 2015. Retrieved September 10, 2015.
  30. ↑ New Again: Jodie Foster. Interview (May 7, 2014).
  31. ↑ Rausch 2010, p. 34.
  32. ↑ Page Module:Citation/CS1/styles.css has no content.Ebert, Roger (2008). Scorsese by Ebert. University of Chicago Press. p. 14. ISBN 978-0-226-18202-5.
  33. ↑ Template:Cite journal
  34. ↑ 34.0 34.1 Complete National Film Registry Listing.
  35. ↑ 35.0 35.1 Page Module:Citation/CS1/styles.css has no content.Brickman, Barbara Jane (2012). New American Teenagers: The Lost Generation of Youth in 1970s Film. Continuum. ISBN 978-1-4411-7658-5.
  36. ↑ Bugsy Malone (1976).
  37. ↑ Hollinger 2006, p. 155.
  38. ↑ Ebert, Roger (January 1, 1976). Bugsy Malone.
  39. ↑ Bugsy Malone (December 31, 1975).
  40. ↑ Page Module:Citation/CS1/styles.css has no content.Canby, Vincent (September 16, 1976). ""Bugsy Malone" puts youth in 20s gang movies". The New York Times. Archived from the original on September 27, 2015. Retrieved September 25, 2015.
  41. ↑ 100 BAFTA Moments: 14-Year-Old Jodie Foster Wins the Supporting Actress Award in 1977 (January 24, 2015).
  42. ↑ 42.0 42.1 Page Module:Citation/CS1/styles.css has no content."Film: 'Echoes' Wavers: Jodie Foster Is Superb as a Dying Child". The New York Times. May 15, 1976. Archived from the original on September 27, 2015. Retrieved September 25, 2015.
  43. ↑ 'Echoes' a Traumatic Film for Cast and Audience (April 28, 1976).
  44. ↑ Erb 2010, p. 96.
  45. ↑ Cullen 2013, pp. 188–189.
  46. ↑ 46.0 46.1 46.2 Cullen 2013, p. 188.
  47. ↑ 47.0 47.1 47.2 Erb 2010, p. 87.
  48. ↑ Erb 2010, p. 86.
  49. ↑ Freaky Friday, Box Office Information. Box Office Mojo.
  50. ↑ Jodie Foster. Hollywood Foreign Press Association.
  51. ↑ Original photograph of Jodie Foster by photographer Emilio Lari, circa 1978 by Jodie Foster (subject); Emilio Lari (photographer) - 1978 - from Royal Books, Inc. (SKU: 149383) (en).
  52. ↑ Invaluable Auctions. Emilio Lari (1939) Jodie Foster, 1975 Stampa cibachrome vintage..
  53. ↑ Page Module:Citation/CS1/styles.css has no content.Foster and Wagener (1997). Foster Child. Heinemann. pp. 131–132. ISBN 978-0-434-00265-8.
  54. ↑ Snodgrass 2008, p. 285.
  55. ↑ 55.0 55.1 Page Module:Citation/CS1/styles.css has no content.Thomson, David (2014). The New Biographical Dictionary of Film (6th ed.). Abacus. ISBN 978-0-3491-4111-4.
  56. ↑ Page Module:Citation/CS1/styles.css has no content.Gallagher, John (1989). Film Directors on Directing. Greenwood Publishing Group. pp. 160–168. ISBN 0-275-93272-9.
  57. ↑ Cullen 2013, p. 189.
  58. ↑ 58.0 58.1 58.2 58.3 Page Module:Citation/CS1/styles.css has no content."Episode 1, Jodie Foster". Inside the Actors Studio. Season 12. September 25, 2005. Bravo. Stated by Foster in this interview.
  59. ↑ Cullen 2013, p. 192.
  60. ↑ 60.0 60.1 Hollinger 2006, p. 143.
  61. ↑ 61.0 61.1 61.2 Cullen 2013, p. 194.
  62. ↑ Siesta (1987). Box Office Mojo.
  63. ↑ Cullen 2013, p. 193.
  64. ↑ Independent Spirit Awards 2015 – Thirty Years of Nominees & Awards. Independent Spirit Awards.
  65. ↑ Adalian, Josef (September 3, 2013). Jodie Foster Is Directing an Episode of House of Cards. Vulture.com.
  66. ↑ "Stealing Home" Template:Webarchive. Box Office Mojo. Retrieved April 17, 2007.
  67. ↑ Ebert, Roger (August 26, 1988). Stealing Home. Chicago Sun-Times.
  68. ↑ 68.0 68.1 Hollinger 2012, p. 45.
  69. ↑ 69.0 69.1 69.2 Hollinger 2012, p. 46.
  70. ↑ Page Module:Citation/CS1/styles.css has no content.Martin, Ray (2011). Ray Martin's Favourites. Victory Books. p. 179. ISBN 978-0-522-86088-7.
  71. ↑ 71.0 71.1 Levine, Nick (April 2, 2015). 'Silence of the Lambs' director admits he didn't want to cast Jodie Foster. NME.
  72. ↑ Page Module:Citation/CS1/styles.css has no content.Maslin, Janet (February 19, 1991). "How to Film a Gory Story with Restraint". The New York Times. Archived from the original on January 17, 2015. Retrieved September 28, 2015.
  73. ↑ "Silence of the Lambs" Template:Webarchive. Box Office Mojo. Retrieved March 16, 2009.
  74. ↑ "Jodie Foster" Template:Webarchive. Box Office Mojo. Retrieved March 16, 2009.
  75. ↑ Page Module:Citation/CS1/styles.css has no content."64th Academy Awards Memorable Moments". Academy of Motion Picture Arts and Sciences. August 26, 2014. Archived from the original on September 29, 2015. Retrieved September 28, 2015.
  76. ↑ Hollinger 2012, pp. 46–47.
  77. ↑ Page Module:Citation/CS1/styles.css has no content.Erickson, Hal (2015). "Backtrack (1991)". Movies & TV Dept. The New York Times. Archived from the original on September 30, 2015. Retrieved September 28, 2015.
  78. ↑ Page Module:Citation/CS1/styles.css has no content.Foster, Gwendolyn Audrey (1995). Women Film Directors: An International Bio-critical Dictionary. Greenwood Press. p. 136. ISBN 0-313-28972-7.
  79. ↑ Hollinger 2012, p. 49.
  80. ↑ Hollinger 2012, pp. 49–51.
  81. ↑ Roger Ebert (October 18, 1991). "Little Man Tate", Chicago Sun-Times
  82. ↑ Little Man Tate (1991). Box Office Mojo.
  83. ↑ Schaefer, Stephen (January 11, 2013). Jodie Foster: She lives her life at the movies. Variety.
  84. ↑ Hollinger 2012, p. 51.
  85. ↑ Sommersby (1993). Box Office Mojo.
  86. ↑ Maverick (1994). Box Office Mojo.
  87. ↑ 87.0 87.1 87.2 87.3 Hollinger 2012, p. 53.
  88. ↑ 88.0 88.1 Page Module:Citation/CS1/styles.css has no content."A Life on the Set, And That Says It All". The New York Times. December 12, 1994. Archived from the original on September 30, 2015. Retrieved September 28, 2015.
  89. ↑ On the Road with Jodie Foster. Rogerebert.com (December 25, 1994).
  90. ↑ Nell (1994). Box Office Mojo.
  91. ↑ Hollinger 2012, p. 54.
  92. ↑ Jodie Foster's Holiday Spirit. Elle (December 1995).
  93. ↑ 93.0 93.1 Hollinger 2006, p. 162.
  94. ↑ Awards Retrospective. Women in Film.Awards Retrospective.
  95. ↑ Prizes & Honours 1996. Berlin International Film Festival.
  96. ↑ Page Module:Citation/CS1/styles.css has no content.Svetkey, Benjamin (July 18, 1997). "Cover Story: Making Contact". Entertainment Weekly. Archived from the original on May 19, 2007. Retrieved April 17, 2007.
  97. ↑ Contact (1997). Box Office Mojo (October 26, 1997).
  98. ↑ Page Module:Citation/CS1/styles.css has no content.Thompson, Anne (June 28, 1996). "Jodie Foster Sues PolyGram". Entertainment Weekly. Archived from the original on September 30, 2015. Retrieved September 29, 2015.
  99. ↑ Bates, James (June 7, 1996). Jodie Foster Sues, Says PolyGram Broke Agreement. Los Angeles Times.
  100. ↑ Bates, James (October 8, 1996). Jodie Foster Settles Lawsuit Against PolyGram and Will Continue With Company. Los Angeles Times.
  101. ↑ 101.0 101.1 101.2 Pierce, Scott D. (August 20, 1998). 'The Baby Dance' is Jodie Foster's kind of movie. Deseret News.
  102. ↑ Shister, Gail (September 1, 1998). The Parent Trip. The Advocate.
  103. ↑ Snodgrass 2008, p. 287.
  104. ↑ Page Module:Citation/CS1/styles.css has no content.Richburg, Keith B. (January 17, 2000). "Not Playing: 'Anna and the King'". The Washington Post. Archived from the original on October 1, 2015. Retrieved September 29, 2015.
  105. ↑ "Anna and the King" Template:Webarchive. Box Office Mojo.
  106. ↑ Anna and the King. Rotten Tomatoes (December 17, 1999).
  107. ↑ Anna and the King. Metacritic.
  108. ↑ Ebert, Roger (December 17, 1999). Anna and the King.
  109. ↑ Page Module:Citation/CS1/styles.css has no content.Holden, Stephen (December 17, 1999). "Anna and the King: What? No Singing? Is a Puzzlement!". The New York Times. Archived from the original on July 29, 2016. Retrieved September 29, 2015.
  110. ↑ Rosenbaum, Jonathan (March 24, 2000). The Woman Who Isn't There [WAKING THE DEAD]. The Chicago Reader.
  111. ↑ Page Module:Citation/CS1/styles.css has no content.Baldwin, Kristen (January 17, 2000). ""Hannibal" shouldn't be made without Jodie Foster". Entertainment Weekly. Archived from the original on October 1, 2015. Retrieved September 29, 2015.
  112. ↑ Carver, Benedict (January 19, 1999). Foster to helm 'Flora Plum' pic. Variety.
  113. ↑ Carver, Benedict (September 8, 2000). Crowe-Foster Project on Shelf For Now. The Orlando Sentinel.
  114. ↑ Foster defends Nazi filmmaker biopic. The Guardian (October 9, 2000).
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  116. ↑ The Dangerous Lives of Altar Boys (2002). Box Office Mojo.
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  119. ↑ Panic Room (2002). Box Office Mojo.
  120. ↑ Jodie Foster. Box Office Mojo.
  121. ↑ Panic Room Movie Reviews, Pictures. Rotten Tomatoes (March 29, 2002).
  122. ↑ Panic Room reviews. Metacritic.
  123. ↑ Flightplan (2005). Box Office Mojo.
  124. ↑ Flightplan. Rotten Tomatoes (September 23, 2005).
  125. ↑ Flightplan Reviews. Metacritic.
  126. ↑ Inside Man (2006). Box Office Mojo.
  127. ↑ Inside Man. Rotten Tomatoes (March 24, 2006).
  128. ↑ Inside Man Reviews. Metacritic.
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  130. ↑ The Brave One (2007). Box Office Mojo.
  131. ↑ The Brave One. Rotten Tomatoes (September 14, 2007).
  132. ↑ The Brave One Reviews. Metacritic.
  133. ↑ Nim's Island. Rotten Tomatoes (April 4, 2008).
  134. ↑ "Nim's Island" Template:Webarchive. Box Office Mojo.
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  138. ↑ Page Module:Citation/CS1/styles.css has no content.Hewitt, Sharon (July 9, 2009). "Mel Gibson to star in Beaver". Variety. Archived from the original on July 16, 2009. Retrieved July 18, 2009.
  139. ↑ Page Module:Citation/CS1/styles.css has no content.Cieply, Michael (March 17, 2011). "When Art Imitates an Actor's Troubled Life". The New York Times. Archived from the original on December 26, 2012. Retrieved February 18, 2013.
  140. ↑ The Beaver Movie Reviews. Rotten Tomatoes (May 6, 2011).
  141. ↑ The Beaver. Metacritic.
  142. ↑ Cieply, Michael (June 5, 2011), "Uneven Growth for Film Studio With a Message". The New York Times. Template:Webarchive. Retrieved June 6, 2011.
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  145. ↑ "Carnage" Template:Webarchive. Rotten Tomatoes. Flixster. Retrieved December 16, 2011.
  146. ↑ Cecil B. Demille Award. HFPA.
  147. ↑ Elysium (2013). Box Office Mojo.
  148. ↑ Anderson, Diane (July 10, 2013). Why You Should Watch 'Orange Is the New Black'. Advocate.com.
  149. ↑ Primetime Emmy Awards 2014: The Winners List. CNN (August 26, 2014).
  150. ↑ Chilton, Martin (January 15, 2015). Jodie Foster Nominated for Two Directors Guild Awards. The Telegraph.
  151. ↑ Jodie Foster To Receive Laura Ziskin Lifetime Achievement Award. The Telegraph (January 7, 2015).
  152. ↑ Money Monster (2016) (May 13, 2016).
  153. ↑ Money Monster Reviews.
  154. ↑ Money Monster (2016).
  155. ↑ Pile, Jonathan (June 11, 2018). Hotel Artemis Review: Hotel Artemis Review. Empire.
  156. ↑ Schaefer, Sandy (June 8, 2018). Hotel Artemis Review: Jodie Foster's Hospital is Worth a Visit. Screen Rant.
  157. ↑ Yoshida, Emily (June 12, 2018). Hotel Artemis Is an Inventive, If Meandering Genre Hangout. Vulture.Template:Dead link
  158. ↑ Roeper, Richard (June 7, 2018). At the bloody 'Hotel Artemis,' amazing actors do the obvious. Chicago Sun-Times.
  159. ↑ LaSalle, Mick (June 7, 2018). Sterling K. Brown and Jodie Foster in terrific sci-fi 'Hotel Artemis'. Hearst Communications.
  160. ↑ Bentley, Rick (June 7, 2018). Jodie Foster makes 'Hotel Artemis' first-class experience.
  161. ↑ Golden Globes 2021: The Complete Nominations List (February 3, 2021).
  162. ↑ Coyle, Jake (July 7, 2021). With fluent French, Jodie Foster at home again in Cannes. API News.
  163. ↑ D'Addario, Daniel (2023-11-01). Jodie Foster's Triumphant 'Nyad' Performance Proves She's Out on Her Own Terms (en-US).
  164. ↑ Oscar nominations 2024: The full List of nominees (23 January 2024).
  165. ↑ True Detective's fourth season is going to the Arctic with Jodie Foster as the lead (May 26, 2022).
  166. ↑ Cydney Bernard: Who Is Jodie Foster's Former Partner? (en) (January 15, 2013).
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  168. ↑ Freeman, Hadley (July 13, 2018). Jodie Foster: 'I wasn't very good at playing the girlfriend' (en).
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  170. ↑ Jodie Foster Has Another Son - CBS News (en-US) (2001-10-03).
  171. ↑ 171.0 171.1 Actress Jodie Foster marries girlfriend. BBC News (April 24, 2014).
  172. ↑ Hollinger 2006, pp. 145–146.
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  175. ↑ Jodie Foster's Golden Globes speech (January 13, 2013).
  176. ↑ Page Module:Citation/CS1/styles.css has no content.Fischoff, Stuart (January 23, 2013). "Jodie Foster: To come out lesbian or let sleeping rumors lie". Psychology Today. Retrieved April 25, 2014.
  177. ↑ Hernandez, Greg (May 9, 2014). Ellen Page defends Jodie Foster's much maligned coming out speech.
  178. ↑ "Jodie Foster fined for cocaine". United Press International. December 20, 1983.
  179. ↑ "Jodie Foster Charged In Cocaine Case". The New York Times. December 29, 1983.
  180. ↑ "Probation and court costs for Foster in cocaine case". The Boston Globe. January 31, 1984.
  181. ↑ 181.0 181.1 181.2 Page Module:Citation/CS1/styles.css has no content.Ewing, Charles Patrick; McCann, Joseph T. (2006). Minds on Trial: Great cases in law and psychology. Oxford University Press. pp. 91–102. ISBN 978-0-19-518176-0.
  182. ↑ 182.0 182.1 Page Module:Citation/CS1/styles.css has no content.Taylor, Stuart Jr. (May 1, 1982). "TV barred from tapes of Jodie Foster testimony". The New York Times. Archived from the original on December 1, 2017. Retrieved February 9, 2017.
  183. ↑ Page Module:Citation/CS1/styles.css has no content."Chronicle". The New York Times. October 5, 1991. Archived from the original on December 6, 2017. Retrieved February 9, 2017.
  184. ↑ Shultz, Cara Lynn. PEOPLE's Beautiful Issue! A Look Back at All the Covers.
  185. ↑ Page Module:Citation/CS1/styles.css has no content.Muir, Hugh (May 6, 2003). "Pacino, godfather of movie stars". The Guardian. Archived from the original on December 29, 2020. Retrieved September 28, 2020 – via www.theguardian.com.
  186. ↑ Scott, Vernon (October 29, 1996). Entertainment Weekly Magazine's – 'The 100 Greatest Movie Stars of all Time'.
  187. ↑ Hollywood Walk of Fame – Jodie Foster. Hollywood Chamber of Commerce (October 25, 2019).

General and cited references[]

  • Page Module:Citation/CS1/styles.css has no content.Cullen, Jim (2013). Sensing the Past: Hollywood Stars and Historical Visions. Oxford University Press. ISBN 978-0-19-992766-1.
  • Page Module:Citation/CS1/styles.css has no content.Erb, Cynthia (2010). "Jodie Foster and Brooke Shields: 'New Ways to Look at the Young'". In Morrison, James (ed.). Hollywood Reborn: Movie Stars of the 1970s. Rutgers University Press. ISBN 978-0-8135-4748-0.
  • Page Module:Citation/CS1/styles.css has no content.Hollinger, Karen (2006). The Actress: Hollywood Acting and the Female Star. Taylor and Francis. ISBN 978-0-415-97792-0.
  • Page Module:Citation/CS1/styles.css has no content.Hollinger, Karen (2012). "Jodie Foster: Feminist Hero?". In Everett, Anne (ed.). Pretty People: Movie Stars of the 1990s. Rutgers University Press. ISBN 978-0-8135-5244-6.
  • Page Module:Citation/CS1/styles.css has no content.Rausch, Andrew J. (2010). The Films of Martin Scorsese and Robert DeNiro. Scarecrow Press. ISBN 978-0-8108-7413-8.
  • Page Module:Citation/CS1/styles.css has no content.Snodgrass, Mary Ellen (2008). Beating the Odds: A Teen Guide to 75 Superstars Who Overcame Adversity. Greenwood Press. ISBN 978-0-313-34564-7.
  • Page Module:Citation/CS1/styles.css has no content.Sonneborn, Liz (2002). A to Z of American Women in the Performing Arts. Facts on File. ISBN 0-8160-4398-1.

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